Welcome To Metal Postcard Records
New Metal Postcard Soundsystem Mix ” Sometimes A Great Notion”
Just some of the songs we’ve been listening to lately
http://www.mixcloud.com/metalpostcard/sometimes-a-great-notion-2012/
Worng / Bad Thoughts 7″ Arrives From Factory
Georgio Moroder on Valium is what we call the sound on this 7″ from the two halves of Melbourne band The Emergency
We’ll let you find out who Worng is and who Bad Thoughts is. You’ve got a 50/50 chance of getting it right
Have a listen at the Metal Postcard radio station on Jango
New Ollo 7″ Arrives
As always with Ollo beautiful songs and beautiful packaging . Check out this gorgeous 7″ from them.
Full Stop Blue should be no.1 worldwide. Maybe it will be !
Check out the single at the Metal Postcard Radio Page On Jango
Some Great New Review Clippings For The Cambodian Space Project
Music Emissions Write:
By combining Cambodian pop and folk melodies with psychedelic pop, The Cambodian Space Project have already reached heights before this debut was released that most bands never reach. ….. a spin of “2011: A Space Odyssey” will be a dizzying spin indeed, chock full of sweet and satisfying sounds,
F This is no exercise in hipper-than-thou irony, as one listen to the passionate sultry vocals of Srey Thy will prove.
This is a record in which each song will reach out and grab someone.
Foxy Digitalis write
If you fancy generic but energetic rock music, expertly played, with an occasional ethnic instrumental touch and vocals by a Cambodian ex-karaoke band singer with a marvellous voice, the CSP is for you.
New York Sets Metal Postcard Straight For The 2nd Time In A Week
Last week i was informed i was a complete idiot for not paying for reviews – didn’t i know that’s how it’s done.. how stupid am I ?
This week I get chastised.. it’s all rather tedious being lectured by New Yorkers I have to say
Because I’m lazy you’ll have to read from the bottom up.
Date: Sat, 11 Feb 2012 00:25:51 -0500
To: Sean Hocking
Subject: Re: From Jim re: NiveHive
Sean,
Dear JimThanks for your noteI understand Collin is your friend so I doubt much I say will registerInitially I did try my best with Collin but his grasp on reality with regard to a project like his left me somewhat non-plussed to start with and then his evident desire to get me to spend a lot of money on his behalf without a chance of even getting 20% of it back made me finally give upA simple timelineAfter he had eventually supplied me the most unlistenable mp3′s I’ve received from an artist is 10 years I said although I couldn’t hear half the music I liked the concept and it fitted in well with the aesthetic of the label and that if he could supply me wavs / aiffs I would then send them off to be masteredA couple of months later the final mixes turned upAs discussed I sent them off to my mastering guy in London who have used for the last decade with nary a hint of complaint from any of my artistsWhen the masters came back they sounded fine to me , actually more than fine . I’m obviously tone deaf because…….Collin though was unhappy with them and to put it bluntly was I thought extremely rude to me and about my mastering guy in an email he sent me. And to brutally honest that really pissed me off. I have worked with Frank for nigh on a decade and he has always done his best to make people happy and get a sound as close to the artist wants. But Colin’s comments were so rude about Frank there was no way I was going to let him speak to FrankThis combined with too many money related questions ( remembering that I told him in advance I didn’t do contracts , I wasn’t expecting any money from him towards the project and that when I worked with artists on my label it is a collaborative effort) Instead Collin seemed to think I had money to burn doing vinyl with complicated artwork and every part of the conversation there’s this sub-text that I’d be taking money from himHis project is a pure art based project and at the most may sell a couple of hundred of 12 Vinyl and a few hundred downloadsI was prepared to lose $US1500 or more on the project because I like the politics and approach but for a man who who is supposedly kicking against the pricks he seemed unduly concerned by what I should be paying himIn ten years I have only decided not to work with 2 artists.. And Collin is one of those two. And like the previous lot I had enough of I knew that over time what problems would appear.. e.g. Oh that art work’s not right , where’s my money, why didn’t you do this why didn’t you do thatI have a pretty good bullshit detector having spent from ages 7 –18 in boarding school, working for some pretty obnoxious multinationals, having lived in many countries around the world. And I’m sorry to say because he is your friend that if I did everything he asked…. it was just going to cause me a lot of dramas and more money in the futureIn the end I decided to cut my losses having already spent time and over £300 on the masters – of which I didn’t ask him for a cent back -Obviously he’s your friend and you’ll be on his side of the fence … and I totally understand that that would be the case. If you wish to bad mouth me to others that’s up to you. To be honest I get it the whole time from tedious industry people because I run my label the way I want . It is my creation, I am proud of the artists I release and bar Collin and the other south london idiots I dumped 10 years ago every other artist I’ve had on the label works with me. Once I decided I wasn’t working with collin I haven’t mentioned him or his project to anybody else. Yes I should have probably emailed him but I haven’t got time to get into a pissing match. Also as I’ve not taken a cent off him.. I haven’t made him sign anything, I haven’t told anybody about my dealings with him it’s not as though I’ve made his life particularly difficult.I’m sure if his project is as good as he thinks it is it won’t be hard for him to get it released on another labelYours SincerelySean HockingSubject: From Jim re: NiveHiveSean,I’m writing to express my disappointment in your dealings with my friend and colleague Collin Ruffino with regard to his NiveHive project. Until the last minute, you led him to believe that you were going to release his album on vinyl, and due to your unreasonable demands regarding mastering (which was completely unprofessional — I heard the masters, and they were laughable), changed your mind at the last minute. That you wouldn’t return Collin’s tactful emails says a lot about you, and that you work without contracts is also suspect, as it allows you to play around with artists in a non-committal way without agreeing to anything.As I put the two of you in touch, and you came recommended by a trusted friend, I expected that in your dealings you would at least be straightforward and over-the-table.Due to the details of the situation, I wouldn’t think of recommending you to any bands/artists I know in the future. I’ll also let Shelley know that she should think twice before recommending you to anyone in the future.Sincerely,Jim Orso
Pairs One Of The Best Punk Bands On The Planet
This comes as no surprise to us .. even if it does to others
Here’s an article in Mouthpiece selecting the best 8 current punk bands in the world .. and about the great Pairs it says
http://mouthpiece.douglasheaven.com/around-the-world-in-eight-punk-bands/
With Europe gone to the dogs and its leaders making gold-digger eyes at China, it’s probably a good time to check out Shanghai’s eclectic punk scene. Sure, there’s a whole Beijing vs Shanghai thing, but what Beijing has in the way of a distinct and cohesive sound, Shanghai more than makes up for in its DIY ethic. Andy Best – one-time Scouser turned champion of the Shanghai scene and founder of the local Qu record label – says “It’s only since I came to Shanghai in 2001 that I found a music scene I liked again, one based around DIY culture and not sending tapes to A&R men”. But then, as he also points out, “people are in it for the love and not the money (there’s no choice)”.
Also holding the scene together is Shanghai’s mainstay venue, Yuyintang, and a lo-fi, stripped down aesthetic, to which western ears are most partial. It’s this that probably first got Pairs noticed by the likes of MTV and BBC Radio’s Tom Ravenscroft. Taking the common line-up of just guitar and drums – this generation’s power-trio – drummer Rhys squawk-shouts along to F’s raucous and hurried guitar-chord melodies – fuzzy, happy melodies that bring on a smile like a Sonic Youth pop song.
Interviewed by We Live In Beijing, Rhys explained: “Our music just comes from our lack of talent, our inability to play up-strokes on the guitar and from our personalities. We tried to write some slower songs, but I think we just got too excited and they sped up overtime. Maybe if we had a metronome we would be a totally different band.”
But in spite of this they still won Best New Band at the 2010 Shanghai Grammys, with one of the judges sensibly observing “[Pairs] are a lot of noise, but I like their noise, and they make sense … They kind of invaded us during summer, and I’m happy they are there”. Andy Best hopes they “kickstart a bunch of similar bands who just go for it and don’t try to be polished genre acts”.
Pairs put out their first, self-titled album with the Qu label in 2010 and released their second Summer Sweat (2011) themselves. Pairs want you to stream both of them from pairs.bandcamp.com.
Netherlands Publication Says CSP Debut Best World Album Of 2011
Suddenly i like the Dutch again — ( after their appalling gamesmanship at the world cup final)
N0.1 Spot For CSP - For all Dutch readers here’s what they say
Nu het jaar ten einde loopt is het weer tijd voor de lijstjes met het beste van het afgelopen jaar. Wat waren de beste nieuwe boeken, de mooiste nummers of de belangrijkste politieke quotes van het jaar? Vk.nl blikt terug met ‘de 11 van 11′
Wat is er lekkerder in deze donkere dagen om binnen te blijven en naar muziek te luisteren? Volkskrant-recensent Robert van Gijssel zette de volgens hem beste wereldmuziek-nummers uit 2011 voor u op een rijtje. U kunt ze gratis beluisteren door u te abonneren op de Spotify-playlist.
The Cambodian Space Project – Kolos Srey Chaom (2011- A Space Odyssey)
Satria Jaya – Nam Ham San Sang (Music Of The Mystical Far East – Korea)
Tamikrest – Fassous Tarahnet (Toumast)
Madina N’Diaye – Bimogow (Bimogow)
Baloji – Karibou Ya Bintou (Kinshasa Succursale)
Blick Bassy – Likando (Hongo Calling)
Fatoumata Diawara – Kele (Fatou)
The Exciters – Ese Muerto No Lo Cargo Yo (Panama! 2)
Carmen Linares – Asesinado Por El Cielo (Remembranzas)
Bellowhead – Captain Wedderburn (Hedonism)
The Unthanks -Give Away Your Heart (Last)
New Ollo Album – “Ape Delay” Due Soon
OLLO
7″ MP 35 / CD MP 36 Ollo ( Sydney) New 7″ Gatefold Sleeve & 3rd Album Due Soon
http://soundcloud.com/metalpostcardrecords/transistor-resistor-ollo
http://www.ollo.net.au/
Forthcoming 3rd Album “APE DELAY” Listen to this great influences on the album mix http://soundcloud.com/ollo_the-band/ape-delay-influences-1
Sydney electronic pop genuis ‘ Ollo will soon be releasing their third album “Ape Delay” on Metal Postcard Records – here’s some reviews from their first two releases and links to the new
“THE IF IF”"
If it’s not the trippy guitar solos on “summer salt” that weave you into the boys interplanetary web it’ll be the always shifting synth pads that reel you in and take you under” [XLR8R :: USA]
“The second album from Sydney’s Ollo, The If If, doesn’t disappoint; it’s a strange and imaginative collection of anti-pop songs that uses simple, melodic electronica to create trance-like soundscapes. …an eerie and well crafted musical excursion where you never quite know where you’re heading, or where you’ve just been.” [Rolling Stone :: 3.5 stars]
“Like an Aussie Beta Band with a touch of the kind of playful sound of acts like Department of Eagles, Errors and Tunng. Very promising.” [Pure Groove :: UK]
“ESSENTIAL STUFF…” [Rough Trade :: UK]










